1
00:00:01,360 --> 00:00:03,560
MUSIC: "Brass In Pocket"
by Pretenders

2
00:00:19,360 --> 00:00:22,920
make you notice

3
00:00:38,920 --> 00:00:43,600
make you notice

4
00:00:44,000 --> 00:00:46,440
PHONE RINGS
—

5
00:00:47,040 --> 00:00:48,040
AMERICAN ACCENT:
Hello.

6
00:00:50,280 --> 00:00:51,920
Yes, I'll be straight down.

7
00:00:53,000 --> 00:00:56,400
Yeah, checking out this afternoon.
Thank you. Bye.

8
00:01:00,920 --> 00:01:03,360
LONDON ACCENT: Fuck's sake.
Where the fuck did that go?

9
00:01:05,960 --> 00:01:10,560
no one like me

10
00:01:14,360 --> 00:01:16,000
Mrs Sutherland.
— Thank you.

11
00:01:42,320 --> 00:01:44,680
MUSIC ON RADIO:
"Making Your Mind Up" by Bucks Fizz

12
00:01:44,760 --> 00:01:46,040
Here you go, love.

13
00:01:46,120 --> 00:01:47,560
Thanks, Mummy.

14
00:01:56,400 --> 00:01:57,400
Kelly.

15
00:01:57,480 --> 00:01:58,680
Oh, brilliant girl!

16
00:02:00,880 --> 00:02:02,720
RADIO VOLUME INCREASES

17
00:02:05,560 --> 00:02:08,920
—- KELLY GIGGLES

18
00:02:09,680 --> 00:02:11,680
That's mine.
-—

19
00:02:11,840 --> 00:02:14,400
— You're crazy.

20
00:02:14,480 --> 00:02:15,760
CAR HORN TOOTS

21
00:02:17,360 --> 00:02:18,480
Happy birthday!

22
00:02:24,480 --> 00:02:25,480
Hello, darlin'.

23
00:02:25,560 --> 00:02:28,120
Gary's just dropping me at work.
He'll be back in ten minutes.

24
00:02:28,760 --> 00:02:30,600
Daddy will put you to bed, OK?

25
00:02:33,040 --> 00:02:34,400
God! Gary!

26
00:02:35,200 --> 00:02:37,080
Gary, you're on the wrong side of the road.

27
00:02:37,360 --> 00:02:38,240
GARY:
Am |?

28
00:02:38,600 --> 00:02:40,080
Wait, Gary. Gary, Gary!

29
00:02:40,160 --> 00:02:41,720
TYRES SQUEAL
— CAR HORN BLARES

30
00:02:41,840 --> 00:02:44,480
Oh, my God!
Slow down, slow down, slow down!

31
00:02:44,560 --> 00:02:45,440
Please, please, please!

32
00:02:57,120 --> 00:02:58,160
Look in the back.

33
00:03:01,000 --> 00:03:02,720
Happy birthday, Joanie.
-—- God...

34
00:03:04,760 --> 00:03:05,720
Gary!

35
00:03:09,040 --> 00:03:09,920
Where'd you get it?

36
00:03:10,000 --> 00:03:11,600
Come on, Joanie,
you know not to ask.

37
00:03:11,680 --> 00:03:14,000
Yeah, about a telly, but this!

38
00:03:14,080 --> 00:03:15,200
And the car.

39
00:03:16,040 --> 00:03:17,840
What d'you do?
—- TYRES SQUEAL

40
00:03:21,440 --> 00:03:24,760
MUSIC: "Tainted Love"
by Soft Cell

41
00:03:25,560 --> 00:03:26,560
Are you done with this?

42
00:03:27,160 --> 00:03:28,240
Thank you.

43
00:03:37,320 --> 00:03:38,200
Bourbon?

44
00:03:38,640 --> 00:03:39,920
And one for yourself.

45
00:03:40,200 --> 00:03:41,320
How many times?

46
00:03:41,400 --> 00:03:43,200
| don't Know. Tell me again.

47
00:03:50,200 --> 00:03:51,800
We could just be friends, you know?

48
00:03:52,720 --> 00:03:55,880
Nah, | think you want more than that.
I can see it.

49
00:03:57,280 --> 00:03:58,720
You a salesman?

50
00:04:11,320 --> 00:04:12,160
Same again?

51
00:04:12,280 --> 00:04:14,680
MUSIC FADES

52
00:04:15,520 --> 00:04:16,480
JOAN:
Gary?

53
00:04:25,360 --> 00:04:26,320
Gary?

54
00:05:21,120 --> 00:05:22,240
DOOR OPENS

55
00:05:22,680 --> 00:05:23,880
DOOR SLAMS

56
00:05:24,680 --> 00:05:25,600
Where have you been?

57
00:05:26,880 --> 00:05:28,400
You left Kel on her own.

58
00:05:40,720 --> 00:05:41,760
Where have you been?

59
00:05:41,840 --> 00:05:43,680
I've gotta be on my toes
for a bit, love.

60
00:05:44,120 --> 00:05:45,320
What did you do?

61
00:05:46,480 --> 00:05:47,920
What did you do?

62
00:05:49,680 --> 00:05:51,280
Gary, what the hell did you--

63
00:05:51,520 --> 00:05:53,800
SHE GASPS

64
00:05:55,080 --> 00:05:56,480
Mm... Cheap.

65
00:05:57,120 --> 00:05:58,200
Who is she?

66
00:05:58,840 --> 00:06:01,560
Maybe | wanna screw a bird who don't
expect me to mind her kid.

67
00:06:01,640 --> 00:06:02,840
Your kid.

68
00:06:04,200 --> 00:06:05,320
You keep your trap shut.

69
00:06:05,400 --> 00:06:07,840
What could | say?
| don't Know anything.

70
00:06:09,360 --> 00:06:11,600
I'll change the locks.
—- HE SCOFFS

71
00:06:19,960 --> 00:06:22,000
KELLY:
We'll have to smash it with a rock again.

72
00:06:22,080 --> 00:06:24,360
You know what, | think I've got it.

73
00:06:26,480 --> 00:06:28,120
Oh, oh...
— What's that?

74
00:06:28,200 --> 00:06:30,400
| dunno. Alright.
—- KELLY LAUGHS

75
00:06:31,320 --> 00:06:32,960
You see how many you can find.

76
00:06:33,040 --> 00:06:36,160
See if you can find
the prettiest, prettiest shell, OK?

77
00:06:37,600 --> 00:06:40,040
I'll be on the bench, OK?
Find the prettiest one you can.

78
00:06:49,120 --> 00:06:50,560
SEABIRDS CRY

79
00:07:10,960 --> 00:07:11,800
Cute kid.

80
00:07:12,720 --> 00:07:15,520
Thanks.
Thought you lived in Ashford.

81
00:07:16,480 --> 00:07:17,640
Have car, can travel.

82
00:07:20,720 --> 00:07:22,560
JOAN:
Shouldn't you be selling windows?

83
00:07:23,200 --> 00:07:25,520
You trying to soften me up
for a set right now?

84
00:07:25,840 --> 00:07:26,880
HE CHUCKLES

85
00:07:30,160 --> 00:07:31,360
Who are you?

86
00:07:33,240 --> 00:07:34,200
Just a friend.

87
00:07:34,960 --> 00:07:36,240
Someone to chat to.

88
00:07:38,640 --> 00:07:39,560
You're undercover.

89
00:07:40,480 --> 00:07:41,480
Slow down.

90
00:07:42,280 --> 00:07:44,480
Look, | know Gary's done a big job, OK?

91
00:07:44,560 --> 00:07:45,520
He's in trouble.
— Bollocks.

92
00:07:45,600 --> 00:07:46,760
Talk to me.

93
00:07:47,240 --> 00:07:49,920
OK? Tell me where he is.
| can help you, | can keep you safe.

94
00:07:50,520 --> 00:07:52,640
He's away on business.
—- Ah, come on...

95
00:07:52,720 --> 00:07:55,760
Sports cars and fur coats,
it's not rocket science, Joan.

96
00:07:57,080 --> 00:07:59,080
Oi, talk to me. For her sake.

97
00:07:59,560 --> 00:08:00,600
I'm not a grass.

98
00:08:01,840 --> 00:08:02,840
Joan, come on.

99
00:08:02,920 --> 00:08:05,360
Kelly, it's getting cold, let's go home.

100
00:08:07,640 --> 00:08:09,520
Or should we go
and get a hot chocolate?

101
00:08:09,600 --> 00:08:10,480
Yeah.

102
00:08:11,440 --> 00:08:13,400
DOG BARKS IN DISTANCE

103
00:08:25,960 --> 00:08:26,920
DISTANT THUD

104
00:08:31,160 --> 00:08:32,200
Kel?

105
00:08:38,280 --> 00:08:39,120
Kelly?

106
00:08:40,080 --> 00:08:41,200
You alright?

107
00:08:54,320 --> 00:08:56,480
FAINT SQUEAKING

108
00:09:18,160 --> 00:09:19,520
Gary's not here.

109
00:09:22,240 --> 00:09:25,080
He... he hasn't told me anything, | swear.

110
00:09:26,120 --> 00:09:27,560
You're wasting your time.

111
00:09:39,760 --> 00:09:40,880
Get up.

112
00:09:53,720 --> 00:09:55,120
He owes us money, Joan.

113
00:09:56,560 --> 00:09:58,600
Where is he?
—- SHE WHISPERS: | don't know.

114
00:10:00,680 --> 00:10:01,800
SHE GRUNTS

115
00:10:03,520 --> 00:10:04,640
Where is he?

116
00:10:06,640 --> 00:10:08,320
If | Knew, I'd tell ya.

117
00:10:09,800 --> 00:10:11,280
You need to open up.

118
00:10:16,600 --> 00:10:17,960
| said open it.

119
00:10:18,960 --> 00:10:19,920
Wider.

120
00:10:21,640 --> 00:10:22,800
Now close.

121
00:10:25,800 --> 00:10:29,400
In the morning, your brains blown out,
imagine little Kelly's face.

122
00:10:29,840 --> 00:10:31,360
He's got a girlfriend, he stays out.

123
00:10:31,440 --> 00:10:33,080
He'll be back in the morning.

124
00:10:40,760 --> 00:10:43,240
Well, let's hope Gary
comes home for breakfast then.

125
00:10:43,360 --> 00:10:46,640
Otherwise...
it'll be littke Kelly who gets it.

126
00:10:52,360 --> 00:10:53,400
DOOR SHUTS

127
00:11:19,920 --> 00:11:21,120
Kelly?

128
00:11:21,320 --> 00:11:23,080
Kelly, wake up, Come on, love.

129
00:11:25,280 --> 00:11:27,080
You need to wake up, alright?

130
00:11:27,160 --> 00:11:28,240
We're going out.

131
00:11:30,440 --> 00:11:32,240
But your nose is bleeding.

132
00:11:32,320 --> 00:11:34,640
It's alright. Get dressed.

133
00:11:38,000 --> 00:11:39,160
Good girl.

134
00:12:07,680 --> 00:12:09,640
Where are we going now?

135
00:12:10,920 --> 00:12:12,400
A safe place.

136
00:12:14,160 --> 00:12:15,320
It's OK.

137
00:12:28,640 --> 00:12:30,840
So, you've just been made homeless

138
00:12:30,920 --> 00:12:33,120
and you want to place
your daughter in emergency care?

139
00:12:34,080 --> 00:12:35,960
| don't want to, obviously.

140
00:12:37,320 --> 00:12:38,360
Of course.

141
00:12:39,240 --> 00:12:41,080
And there's nowhere else
you can go for a bit?

142
00:12:41,320 --> 00:12:42,320
Your parents?

143
00:12:43,200 --> 00:12:46,040
Get hold of my old file,
see what | went through as a kid.

144
00:12:46,800 --> 00:12:48,200
WOMAN:
What about a sibling?

145
00:12:48,280 --> 00:12:50,680
I've, uh... I've got a sister in London

146
00:12:50,760 --> 00:12:52,800
but | can't take her there.

147
00:12:53,560 --> 00:12:56,560
Is there something else going on, Joan,
that | need to know about?

148
00:12:58,280 --> 00:12:59,560
Is Kelly in danger?

149
00:13:01,200 --> 00:13:02,760
No, no.

150
00:13:03,400 --> 00:13:04,400
Not at all.

151
00:13:04,960 --> 00:13:06,640
| just, uh...

152
00:13:07,680 --> 00:13:10,640
| just need...
need a bit of a break.

153
00:13:11,640 --> 00:13:12,760
It's OK.

154
00:13:14,200 --> 00:13:16,800
That's what we're here for,
to help people in trouble.

155
00:13:17,640 --> 00:13:21,400
And it's only till | find a new flat,
and that won't be long, | promise.

156
00:13:21,840 --> 00:13:23,040
A few weeks.

157
00:13:23,840 --> 00:13:26,320
We're gonna place her in a foster family.

158
00:13:28,080 --> 00:13:29,040
Yeah.

159
00:13:29,800 --> 00:13:32,280
Yeah, yeah,
| wouldn't want her in a home.

160
00:13:33,360 --> 00:13:35,400
| was ina home as a kid anc...

161
00:13:36,880 --> 00:13:38,680
and it's definitely just temporary.

162
00:13:41,080 --> 00:13:43,720
I... | won't, | won't lose her, will 1?

163
00:13:45,440 --> 00:13:48,040
Promise me | won't lose her.
— Of course not.

164
00:13:51,840 --> 00:13:54,280
Now, tell me a bit about Kelly.

165
00:13:57,440 --> 00:13:58,640
She, uh...

166
00:13:59,320 --> 00:14:01,680
She loves beans and nuggets.

167
00:14:02,320 --> 00:14:04,120
She'll notice if you sneak any veg in.

168
00:14:08,680 --> 00:14:10,840
She hates scratchy jumpers.

169
00:14:12,880 --> 00:14:14,280
But she's a good girl.

170
00:14:15,800 --> 00:14:17,080
She won't complain.

171
00:14:20,160 --> 00:14:21,320
Look after her.

172
00:14:23,040 --> 00:14:24,320
Of course we will.

173
00:14:33,120 --> 00:14:34,400
There's your bag.

174
00:14:35,360 --> 00:14:36,480
Come here...

175
00:14:43,720 --> 00:14:44,560
Hey.

176
00:14:46,280 --> 00:14:47,640
My mumnyy...

177
00:14:48,600 --> 00:14:50,480
gave me this ring

178
00:14:50,680 --> 00:14:52,920
so I'd remember her when we were apart.

179
00:14:53,000 --> 00:14:55,160
And look how pretty it is.
It sparkles.

180
00:14:56,440 --> 00:14:58,400
| want you to stay, Mummy.

181
00:14:59,680 --> 00:15:00,520
I Know.

182
00:15:00,960 --> 00:15:01,920
I Know.

183
00:15:02,000 --> 00:15:03,400
KNOCK ON DOOR

184
00:15:04,720 --> 00:15:06,720
Hi. It's time to go.

185
00:15:08,160 --> 00:15:09,320
Come here.

186
00:15:10,960 --> 00:15:14,600
You'll be alright, you'll be alright.

187
00:15:17,400 --> 00:15:20,640
Will you be alright, Mummy?
— Course | will, sweetheart.

188
00:15:22,200 --> 00:15:23,520
Come here.

189
00:15:35,000 --> 00:15:37,440
Don't go, Mummy.
Please don't go!

190
00:15:47,040 --> 00:15:49,960
MUSIC: "Time Clock of the Heart"
by Culture Club

191
00:16:10,200 --> 00:16:11,280
INDISTINCT CHATTER

192
00:16:15,080 --> 00:16:16,280
What's happened? You alright?

193
00:16:16,360 --> 00:16:17,920
Yeah, yeah, it's nothing.

194
00:16:18,240 --> 00:16:19,520
Where's Kelly?

195
00:16:25,120 --> 00:16:26,320
Where's Kelly?

196
00:16:27,520 --> 00:16:30,200
She's in foster care for a bit. She, uh...

197
00:16:31,920 --> 00:16:34,440
| have to keep her safe,
where they can't find her.

198
00:16:34,760 --> 00:16:36,040
Why? What's happened?

199
00:16:37,960 --> 00:16:39,440
Gary's got gangsters after him.

200
00:16:39,520 --> 00:16:41,760
Oh, don't you dare bring him
anywhere near here then.

201
00:16:41,840 --> 00:16:44,080
It's fine, I've left him. I've left him.
| just...

202
00:16:44,880 --> 00:16:46,440
I've got nowhere else to go.

203
00:16:49,200 --> 00:16:51,040
You can sleep on the settee for a few days

204
00:16:51,120 --> 00:16:53,480
until you find somewhere else.
—- Oh! Thank you, thank you.

205
00:16:53,560 --> 00:16:55,160
You can borrow my clothes.

206
00:16:55,320 --> 00:16:56,840
Help out in the salon...

207
00:16:58,120 --> 00:16:59,800
but none of your bloody chaos.

208
00:17:00,240 --> 00:17:01,200
| mean it, Joan.

209
00:17:01,440 --> 00:17:02,600
Upstairs.

210
00:17:16,280 --> 00:17:18,600
Don't worry. She's a good kid.
She'll be OK.

211
00:17:24,240 --> 00:17:25,560
It's the chemicals.

212
00:17:26,480 --> 00:17:29,440
You need to make a fresh start.
For you and Kel.

213
00:17:30,720 --> 00:17:31,840
Nancy?

214
00:17:34,440 --> 00:17:35,440
What?

215
00:17:36,840 --> 00:17:38,080
I'm gonna try.

216
00:17:40,040 --> 00:17:41,080
I Know.

217
00:17:41,280 --> 00:17:42,480
New hair-do will help.

218
00:17:44,120 --> 00:17:46,800
MUSIC: "Shout to the Top"
by The Style Council

219
00:17:50,040 --> 00:17:51,680
MAN:
Quiet, aren't you, sweetheart?

220
00:17:53,520 --> 00:17:54,440
Smile.

221
00:17:57,000 --> 00:17:58,280
That wasn't hard, was it?

222
00:17:59,520 --> 00:18:01,320
You're not so bad
when you make an effort.

223
00:18:02,000 --> 00:18:03,240
Aw, thank you.

224
00:18:03,920 --> 00:18:05,120
You're like my missus.

225
00:18:05,400 --> 00:18:07,000
Just need a little nudge now and then.

226
00:18:07,640 --> 00:18:09,800
She's got an excuse,
we've got kids.

227
00:18:10,360 --> 00:18:11,480
She's knackered.

228
00:18:11,640 --> 00:18:12,560
Product?

229
00:18:30,360 --> 00:18:33,320
Yeah, it's come out nice, Dave.

230
00:18:35,760 --> 00:18:37,480
You've made a nice job of that.

231
00:18:38,080 --> 00:18:39,320
I'll, er, I'll leave you with Nancy

232
00:18:39,400 --> 00:18:41,160
to pay up, OK?
—- HE CLICKS HIS TONGUE

233
00:18:53,480 --> 00:18:55,560
I've just lost one of my best clients!

234
00:18:55,640 --> 00:18:57,080
What the hell is wrong with you?

235
00:18:57,360 --> 00:18:59,040
Why can't you just be normal?

236
00:19:00,120 --> 00:19:01,200
I'm an O'Connell.

237
00:19:01,280 --> 00:19:04,000
So am I. No bloody excuse.
—- PHONE RINGS

238
00:19:08,400 --> 00:19:09,360
Hello.

239
00:19:11,760 --> 00:19:14,880
Oh yeah, sure...
I'll just get her for you.

240
00:19:17,360 --> 00:19:19,440
It's for you. Social worker.

241
00:19:26,080 --> 00:19:27,080
Hi.

242
00:19:27,840 --> 00:19:31,040
Fine, thanks. How's Kel?
I'm desperate to see her.

243
00:19:31,120 --> 00:19:32,240
WOMAN: See ya.
—- WOMAN 2: Night.

244
00:19:32,320 --> 00:19:34,000
See you, girls, have a good one.
— Night.

245
00:19:38,360 --> 00:19:39,200
A tenner.

246
00:19:39,640 --> 00:19:42,040
Fiver, then, please.
— End of the week.

247
00:19:42,120 --> 00:19:43,760
You'll get paid like everyone else.

248
00:19:43,840 --> 00:19:46,920
Alright, just the train fare.
The foster mum said | can visit tomorrow.

249
00:19:47,040 --> 00:19:49,200
| need you here tomorrow,
we're fully booked.

250
00:19:50,000 --> 00:19:51,720
But Kelly's expecting me now.

251
00:19:51,960 --> 00:19:53,880
I'm really sorry,
but you should have checked.

252
00:19:54,280 --> 00:19:56,680
Can't just have a day off
whenever you like.

253
00:20:39,120 --> 00:20:40,480
ENGINE STARTS

254
00:20:41,480 --> 00:20:42,760
TYRES SQUEAL

255
00:21:36,320 --> 00:21:37,680
Hi!
SHE CHUCKLES

256
00:21:43,720 --> 00:21:44,760
Kel!

257
00:21:44,920 --> 00:21:47,400
Come here, come here.

258
00:21:47,480 --> 00:21:48,640
SHE CHUCKLES

259
00:21:48,720 --> 00:21:50,960
Oh, my God.

260
00:21:54,320 --> 00:21:55,760
You've had your hair cut.

261
00:21:56,400 --> 00:21:58,320
Do you like it?
— | liKe it.

262
00:22:01,520 --> 00:22:04,760
What's she doing? She's walking in,
and who's that? Oh...

263
00:22:04,840 --> 00:22:08,120
Here you go, nice hot drink.
— Thank you.

264
00:22:10,080 --> 00:22:11,720
Have you cut Kelly's hair?

265
00:22:11,800 --> 00:22:13,720
Just a bit,
we just thought we'd try a change.

266
00:22:13,960 --> 00:22:15,400
She looks pretty, doesn't she?

267
00:22:16,520 --> 00:22:17,800
Do you like it, Kel?

268
00:22:19,200 --> 00:22:20,200
SHE CHUCKLES

269
00:22:20,520 --> 00:22:22,680
| like how you do it, Mummy.

270
00:22:25,640 --> 00:22:28,040
|... | gave her a ring.

271
00:22:30,000 --> 00:22:32,880
We put it on a chain, didn't we?
So you'd always be close to Mummy.

272
00:22:39,000 --> 00:22:40,320
Thank you, for being...

273
00:22:41,480 --> 00:22:43,160
She's a lovely little girl.

274
00:22:45,640 --> 00:22:47,080
PHONE RINGS

275
00:22:55,400 --> 00:22:57,520
SHE GASPS
— DISTANT VOICES

276
00:23:18,960 --> 00:23:21,640
POLICE SIREN BLARES

277
00:23:25,600 --> 00:23:26,520
Fuck.

278
00:23:30,120 --> 00:23:31,000
Alright?

279
00:23:57,720 --> 00:23:59,440
KEYS RATTLE

280
00:24:09,080 --> 00:24:10,320
What are you doing here?

281
00:24:10,400 --> 00:24:11,880
Saw your name on the custody sheet.

282
00:24:11,960 --> 00:24:13,280
| had to see Kelly.

283
00:24:13,680 --> 00:24:15,120
What, by nicking a car?

284
00:24:15,560 --> 00:24:17,480
Ruining your chances of getting her back?

285
00:24:18,960 --> 00:24:19,920
Dumb blonde.

286
00:24:24,280 --> 00:24:25,480
What do you want, Joan?

287
00:24:26,880 --> 00:24:28,000
A normal life.

288
00:24:29,440 --> 00:24:30,520
Get Kelly back.

289
00:24:31,160 --> 00:24:32,760
Then tell that to the magistrate.

290
00:24:33,520 --> 00:24:36,360
Right? Tell him you're gonna get
a job and a flat

291
00:24:36,440 --> 00:24:38,800
and you're gonna do everything right
from now on.

292
00:24:39,720 --> 00:24:41,640
Like he'll believe me.
— Well, I'll write something.

293
00:24:42,240 --> 00:24:43,440
OK? I'll back you.

294
00:24:45,160 --> 00:24:46,440
Why would you do that?

295
00:24:47,000 --> 00:24:48,360
Cos | think it's true.

296
00:24:49,800 --> 00:24:53,560
Just... just don't report me
to the social, please?

297
00:24:59,400 --> 00:25:00,400
DOOR SLAMS

298
00:25:11,440 --> 00:25:14,680
JOAN:
| Know that I've been stupid, reckless

299
00:25:14,760 --> 00:25:16,360
but it won't happen again.

300
00:25:16,440 --> 00:25:17,440
DOOR SLAMS

301
00:25:17,520 --> 00:25:19,200
| mean, | haven't been
in trouble with the law

302
00:25:19,280 --> 00:25:21,160
since | was a teenager in care.

303
00:25:22,520 --> 00:25:25,720
And | love my daughter so much,
it would be...

304
00:25:27,400 --> 00:25:30,880
disastrous for her
if | were to get a custodial sentence.

305
00:25:31,760 --> 00:25:34,040
And I... | fully intend on getting a job

306
00:25:34,120 --> 00:25:36,760
and a place of my own,
to support us. | just...

307
00:25:37,520 --> 00:25:41,360
| just need a chance to prove myself.

308
00:25:56,400 --> 00:25:58,120
NANCY:
Er, where have you been?

309
00:25:58,200 --> 00:25:59,720
Sneaking back in like that.

310
00:26:00,080 --> 00:26:01,160
To see Kelly.

311
00:26:01,600 --> 00:26:03,800
|... | stayed at a mate's.

312
00:26:05,320 --> 00:26:07,320
I'm really sorry, | should have called.

313
00:26:08,400 --> 00:26:09,800
I'm sorry, Nance.

314
00:26:10,920 --> 00:26:12,080
But look.

315
00:26:21,800 --> 00:26:22,800
How was it?

316
00:26:25,600 --> 00:26:26,720
Brilliant.

317
00:26:29,120 --> 00:26:30,080
Sad.

318
00:26:32,800 --> 00:26:34,840
| can't have you working
in the salon, Joan.

319
00:26:36,040 --> 00:26:37,520
You're not reliable enough.

320
00:26:40,040 --> 00:26:41,320
Find a new job.

321
00:26:41,560 --> 00:26:44,440
Something you're interested in.
You're more likely to stick at it that way.

322
00:26:57,320 --> 00:26:59,680
INDISTINCT CHATTER

323
00:27:00,480 --> 00:27:02,760
Dreadful, darling.
- Oh, quite frightful, like a skeleton.

324
00:27:02,840 --> 00:27:04,160
Anyhow, where are you headed?

325
00:27:04,240 --> 00:27:06,400
I'm heading into Mayfair.
- You're heading to Mayfair?

326
00:27:06,480 --> 00:27:09,640
Actually | do need to look for a present
for my mother. Shall we go together?

327
00:27:10,000 --> 00:27:12,240
Oh, let's.
| was thinking a piece of jewellery.

328
00:27:12,320 --> 00:27:14,000
A diamond ring or something...

329
00:27:36,080 --> 00:27:38,240
I'm looking for a present for my mother...

330
00:27:38,480 --> 00:27:39,440
Mother.

331
00:27:40,480 --> 00:27:43,760
POSHER VOICE: I'm looking for a very
special present for my mother.

332
00:27:43,840 --> 00:27:45,200
Can | help you, Madam?

333
00:27:46,080 --> 00:27:49,640
Yes, I'm looking for a special present
for my mother, a diamond.

334
00:27:50,080 --> 00:27:51,120
Absolutely.

335
00:27:51,560 --> 00:27:54,040
Do you see any you particularly like?

336
00:27:54,120 --> 00:27:55,880
They're all so beautiful.

337
00:27:55,960 --> 00:27:57,840
How does one choose?

338
00:27:59,040 --> 00:28:00,520
Would you like some advice?

339
00:28:01,040 --> 00:28:02,360
Yes, how kind.

340
00:28:02,680 --> 00:28:04,800
| want to know the details
of what I'm buying.

341
00:28:05,280 --> 00:28:06,280
Of course.

342
00:28:09,080 --> 00:28:12,800
Here you can see our diamonds rings
which we grade using the four Cs.

343
00:28:12,880 --> 00:28:15,600
The carat, the clarity,
the colour and the cut.

344
00:28:15,680 --> 00:28:18,120
Just there you'll notice
what we call the scintillation.

345
00:28:18,200 --> 00:28:19,400
That's the sparkle

346
00:28:19,480 --> 00:28:22,840
a stone, diamond in this case,
emits when it's moved

347
00:28:22,920 --> 00:28:24,800
and it's most visible in bright light.

348
00:28:30,760 --> 00:28:32,600
JOAN:
I've come about the job in the paper.

349
00:28:33,560 --> 00:28:35,640
O Levels? References?

350
00:28:37,160 --> 00:28:38,240
No, but...

351
00:28:38,680 --> 00:28:39,760
I'm keen.

352
00:28:39,880 --> 00:28:41,280
Well, | don't need a dolly—-bird.

353
00:28:42,480 --> 00:28:45,000
I'm not. | Know all about
diamonds, the four Cs.

354
00:28:45,080 --> 00:28:47,520
The carats, the clarity, colour, cut...

355
00:28:49,120 --> 00:28:50,320
Tell me about the cut.

356
00:28:50,960 --> 00:28:54,120
Well, the grade of the cut is measured
against three different types of reflections.

357
00:28:54,200 --> 00:28:55,400
MAN:
Which are?

358
00:28:56,040 --> 00:28:57,800
Brilliance, fire and scintillation.

359
00:28:59,960 --> 00:29:02,520
Tell me about the scintillation, hm?

360
00:29:04,400 --> 00:29:06,880
Well, that's the sparkle
a diamond emits when it's moved.

361
00:29:07,080 --> 00:29:08,840
And that's most visible in bright light.

362
00:29:08,920 --> 00:29:12,000
So that's why you have the contrast
of the bright lights on your cases.

363
00:29:13,280 --> 00:29:15,120
Where did you learn that?

364
00:29:16,080 --> 00:29:17,200
In books.

365
00:29:18,000 --> 00:29:19,240
I'm interested.

366
00:29:23,760 --> 00:29:25,200
I'll give you a month's trial.

367
00:29:32,320 --> 00:29:34,760
We do have a very, very special

368
00:29:34,840 --> 00:29:37,040
emerald and diamond
necklace in our collection.

369
00:29:37,120 --> 00:29:38,280
Mrs Asher...

370
00:29:40,400 --> 00:29:41,920
how lovely to see you.

371
00:29:42,520 --> 00:29:44,200
| do hope Joan is looking after you?

372
00:29:44,280 --> 00:29:45,480
She's charming.

373
00:29:46,160 --> 00:29:47,880
I'd love to see that special necklace.

374
00:29:48,240 --> 00:29:50,960
Well, Miss Foley can show you
our premier collection.

375
00:29:51,240 --> 00:29:53,920
Joan. | think you're ready.

376
00:29:56,120 --> 00:29:57,800
Tsk.
SHE SCOFFS

377
00:30:02,000 --> 00:30:03,920
There's the key.
— Thank you.

378
00:30:13,920 --> 00:30:15,160
Would you like to try it on?

379
00:30:15,240 --> 00:30:16,840
Oh, | don't want to take all this fur off.

380
00:30:17,120 --> 00:30:18,480
Let me see it on you.

381
00:30:37,840 --> 00:30:39,000
Stunning.

382
00:30:39,760 --> 00:30:41,520
I'll take it.
— Excellent.

383
00:30:43,400 --> 00:30:44,640
This way, Mrs Asher.

384
00:30:57,320 --> 00:30:59,680
Joan, you can take it off now.

385
00:31:14,480 --> 00:31:15,520
BRUSH CLATTERS

386
00:31:19,560 --> 00:31:20,560
DOOR OPENS

387
00:31:24,920 --> 00:31:26,840
Gary, what are you doing here?

388
00:31:27,760 --> 00:31:28,800
Looking good, Joanie.

389
00:31:29,920 --> 00:31:31,120
You can't be in here.

390
00:31:31,200 --> 00:31:33,200
Nah, it's alright.
-— Please, outside.

391
00:31:34,360 --> 00:31:35,400
Come on, Joanie.

392
00:31:36,240 --> 00:31:37,600
Come on, Joanie.

393
00:31:37,760 --> 00:31:38,920
Let go--
— Go on, let me...

394
00:31:39,000 --> 00:31:40,520
Get off me. | mean it.

395
00:31:40,840 --> 00:31:41,920
SHE GRUNTS

396
00:31:42,040 --> 00:31:43,080
GLASS SHATTERS

397
00:31:43,160 --> 00:31:45,080
Fuck off, you fucking psycho!

398
00:31:45,280 --> 00:31:46,960
NANCY:
Joan? Joan! What's going on?

399
00:31:48,000 --> 00:31:49,360
Get out of here, Gary!

400
00:31:49,640 --> 00:31:51,640
You've always hated me, you bitch.
- No, Gary, no!

401
00:31:51,720 --> 00:31:53,440
NANCY: I'm calling the police.
— Come on then!

402
00:31:53,520 --> 00:31:55,240
Come on then!
- Gary! Gary! Leave her!

403
00:31:55,680 --> 00:31:56,840
Leave her alone.

404
00:31:56,920 --> 00:31:58,040
GARY:
Fuck off.

405
00:32:00,400 --> 00:32:01,840
Go back up, | can handle this.

406
00:32:01,920 --> 00:32:03,440
NANCY: Are you sure?
-—- Go!

407
00:32:05,520 --> 00:32:07,160
Girlfriend threw you out, did she?

408
00:32:07,320 --> 00:32:08,360
Fuck off.

409
00:32:08,800 --> 00:32:10,680
Get out.
|! want nothing more to do with you.

410
00:32:10,920 --> 00:32:13,840
What about Kelly?
-— You don't give a shit about Kelly.

411
00:32:13,960 --> 00:32:15,120
| wanna see Kelly.

412
00:32:15,560 --> 00:32:17,760
No you don't, Gary. Now fuck off!

413
00:32:21,680 --> 00:32:23,200
Be careful, Joan.

414
00:32:26,200 --> 00:32:27,200
DOOR SLAMS

415
00:32:36,640 --> 00:32:37,960
NANCY:
I've packed you a bag.

416
00:32:40,760 --> 00:32:41,960
Thanks, Nance.

417
00:32:43,080 --> 00:32:44,640
Sorry for all the, uh...

418
00:32:45,440 --> 00:32:46,480
chaos.

419
00:32:46,560 --> 00:32:49,160
I've packed undies,
pyjamas and some make up.

420
00:32:49,960 --> 00:32:52,320
You don't have to leave.
Not like this.

421
00:32:53,200 --> 00:32:55,040
You've put up with enough.

422
00:32:55,760 --> 00:32:58,280
You sure you can afford to stay
in a hostel till you get paid?

423
00:33:01,400 --> 00:33:03,400
SHE SIGHS
I'll be fine.

424
00:33:47,560 --> 00:33:48,760
You're in early.

425
00:33:49,800 --> 00:33:51,000
It's 8:15.

426
00:33:52,000 --> 00:33:55,080
| told you to come in at midday.
We're doing the stock take tonight.

427
00:33:55,280 --> 00:33:58,320
Oh, yeah, forgot. Well, | mean...

428
00:33:58,880 --> 00:34:01,200
| don't mind working
a couple of hours extra.

429
00:34:02,200 --> 00:34:03,800
Look and learn, Linda.

430
00:34:04,720 --> 00:34:06,200
Look and learn.

431
00:34:11,840 --> 00:34:14,000
Mr Jones, can | ask you something?

432
00:34:14,080 --> 00:34:15,720
You can call me Bernard.

433
00:34:16,240 --> 00:34:19,840
Is there any way that | could
get an advance on my wages?

434
00:34:21,160 --> 00:34:22,040
Bernard.

435
00:34:22,760 --> 00:34:23,720
Bernard.

436
00:34:24,440 --> 00:34:27,280
We'll have to see how we get on
at the stock take, won't we?

437
00:34:30,120 --> 00:34:31,000
Night.

438
00:34:38,680 --> 00:34:40,000
Lock ourselves in, shall we?

439
00:34:43,400 --> 00:34:44,640
Can be tricky, that.

440
00:34:45,800 --> 00:34:46,880
Here you are.

441
00:34:47,120 --> 00:34:48,080
Let me help you.

442
00:34:50,400 --> 00:34:51,880
| thought we'd start in the back.

443
00:34:52,480 --> 00:34:54,000
With our loose stones.

444
00:34:56,520 --> 00:34:57,840
I've already opened the safe.

445
00:34:59,440 --> 00:35:02,280
Why don't we start in here
with the premier collection?

446
00:35:05,520 --> 00:35:06,560
Alright.

447
00:35:14,400 --> 00:35:18,680
Emerald and diamond earrings...
50,000.

448
00:35:20,840 --> 00:35:23,680
Diamond fringe necklace.

449
00:35:26,440 --> 00:35:29,400
60,000, that's it.

450
00:35:31,600 --> 00:35:33,760
Sapphire and diamond earrings...

451
00:35:35,680 --> 00:35:36,880
Twenty...

452
00:35:38,360 --> 00:35:39,760
25,000.

453
00:35:57,800 --> 00:35:59,320
Would you like to try it?

454
00:36:02,480 --> 00:36:04,160
| think we should push on.

455
00:36:06,800 --> 00:36:07,960
Somewhere to go?

456
00:36:10,360 --> 00:36:11,800
Boyfriend to see?

457
00:36:12,000 --> 00:36:13,080
SHE CHUCKLES

458
00:36:26,080 --> 00:36:27,760
There are no cameras out the back.

459
00:36:33,200 --> 00:36:34,760
Let me freshen up.

460
00:36:52,000 --> 00:36:53,440
SHE WHISPERS:
Fuck's sake.

461
00:36:59,760 --> 00:37:00,920
TOILET FLUSHES

462
00:38:04,680 --> 00:38:06,760
Joan? What you doing?

463
00:38:07,160 --> 00:38:08,200
One minute.

464
00:38:41,560 --> 00:38:45,880
The, uh... the painters have arrived,
down below.

465
00:38:46,880 --> 00:38:49,360
Sorry, Bernard, not feeling great.

466
00:38:49,680 --> 00:38:51,320
Oh, well...

467
00:38:54,080 --> 00:38:56,480
maybe we can postpone
the stock take to next week?

468
00:39:00,280 --> 00:39:01,800
I'll see you on Monday morning.

469
00:39:06,760 --> 00:39:08,400
You take care of yourself.

470
00:39:21,480 --> 00:39:23,920
Double vodka and orange please.
- BARMAN: Coming up.

471
00:39:40,400 --> 00:39:41,800
£1.40, please.

472
00:39:49,720 --> 00:39:51,400
Sorry, mate, I'm gonna be short.

473
00:39:52,120 --> 00:39:53,000
I'll get it.

474
00:39:54,000 --> 00:39:55,000
Stick it on the tab.

475
00:39:55,320 --> 00:39:56,240
Alright, sure.

476
00:39:58,320 --> 00:40:00,800
| never accept drinks from strange men.

477
00:40:01,240 --> 00:40:02,120
Strange?

478
00:40:02,520 --> 00:40:03,720
Yeah, I'd say.

479
00:40:05,920 --> 00:40:07,320
Thanks anyway.

480
00:40:13,200 --> 00:40:14,680
You could always pay me back.

481
00:40:19,160 --> 00:40:20,080
Just round the corner.

482
00:40:23,000 --> 00:40:26,080
| could bring you the £1.40 tomorrow?
— Deal.

483
00:40:42,680 --> 00:40:43,920
It's been a tough day.

484
00:40:44,680 --> 00:40:45,880
Oh yeah, what d'you do?

485
00:40:48,680 --> 00:40:49,800
I'm a thief.

486
00:40:50,440 --> 00:40:53,400
MUSIC: "You're The Best Thing"
by The Style Council

487
00:40:56,560 --> 00:40:57,640
Fancy another?

488
00:41:35,120 --> 00:41:36,160
Boisie...

489
00:41:43,320 --> 00:41:45,160
Oh, holy fuck.

490
00:42:23,280 --> 00:42:26,800
MUSIC ON RECORD:
Take Five" by Dave Brubeck

491
00:43:45,840 --> 00:43:48,040
TOILET FLUSHES

492
00:44:42,200 --> 00:44:44,600
Yeah, it's walnut,
mid-nineteenth century.

493
00:44:45,160 --> 00:44:47,760
Yeah, escutcheons inlaid
at a later date though, I'd say.

494
00:44:48,720 --> 00:44:49,800
It's in my warehouse.

495
00:44:49,880 --> 00:44:52,040
So, I'll bring it in if you let me know
when you're coming.

496
00:44:52,640 --> 00:44:54,280
Thanks, alright, bye.

497
00:44:56,120 --> 00:44:58,040
Morning.
— Hello.

498
00:44:58,960 --> 00:45:00,120
How you feeling?

499
00:45:00,200 --> 00:45:02,840
Fine, fresh as a daisy.

500
00:45:03,960 --> 00:45:05,440
Just making coffee.

501
00:45:10,840 --> 00:45:13,480
SOFT JAZZ PLAYS

502
00:45:27,880 --> 00:45:29,560
So where d'you get it all from?

503
00:45:30,080 --> 00:45:31,960
Oh, I've just been doing it
for years really.

504
00:45:32,040 --> 00:45:33,720
| Know people.
People who know people.

505
00:45:33,800 --> 00:45:35,920
Auctions. Furniture sales.
— D'you ever buy jewellery?

506
00:45:38,080 --> 00:45:40,640
Stolen?
— Why would you say that?

507
00:45:41,000 --> 00:45:43,440
You just walked out of your job
at a jewellers.

508
00:45:46,480 --> 00:45:47,800
Wild, crazy guess.

509
00:45:48,720 --> 00:45:50,520
Alright, what else did | say last night?

510
00:45:51,480 --> 00:45:52,840
You're unemployed and homeless.

511
00:45:52,920 --> 00:45:54,680
You've just lost your kid,
but you're gonna be rich.

512
00:45:55,400 --> 00:45:56,960
Right, thanks for the coffee.

513
00:46:04,480 --> 00:46:07,440
If | did have something to sell...
—- What?

514
00:46:08,120 --> 00:46:09,920
Some stones, loose.

515
00:46:10,640 --> 00:46:11,920
I'd need to have a look first.

516
00:46:12,320 --> 00:46:13,800
Why should | trust you?

517
00:46:14,840 --> 00:46:16,200
Got any other options?

518
00:46:27,160 --> 00:46:28,320
How'd you get 'em out?

519
00:46:29,000 --> 00:46:31,640
Grabbed 'em from the safe.
Necked 'em, walked.

520
00:46:32,040 --> 00:46:33,480
You've got some balls, girl.

521
00:46:34,040 --> 00:46:36,280
It was an impulse,
I've never nicked before.

522
00:46:36,360 --> 00:46:37,520
| mean, nothing big.

523
00:46:38,000 --> 00:46:38,920
Why now?

524
00:46:39,400 --> 00:46:40,600
Means to an end.

525
00:46:41,680 --> 00:46:43,160
You enjoyed it though.

526
00:46:44,760 --> 00:46:45,720
Yeah.

527
00:46:47,760 --> 00:46:49,240
So can you sell 'em for me?

528
00:46:49,320 --> 00:46:51,480
Might take a few weeks.

529
00:46:52,440 --> 00:46:53,360
Why?

530
00:46:54,320 --> 00:46:56,240
Well, I've gotta find you the right fence.

531
00:46:56,640 --> 00:46:59,120
Get you the best price--
— Look, | told you, I've got nothing.

532
00:47:00,200 --> 00:47:02,040
Right? | need cash, now.

533
00:47:03,240 --> 00:47:04,120
So...

534
00:47:05,360 --> 00:47:07,200
would you do a bit more work then?

535
00:47:08,120 --> 00:47:09,640
Get yourself back on your feet?

536
00:47:11,800 --> 00:47:13,360
| mean a job for me.

537
00:47:13,960 --> 00:47:15,440
Yeah, | Know what you mean.

538
00:47:15,520 --> 00:47:17,720
A proper job, not necking stuff
and legging it.

539
00:47:19,160 --> 00:47:20,800
Yeah, I'll do whatever you want.

540
00:47:22,680 --> 00:47:24,160
| wouldn't promise that.

541
00:47:25,560 --> 00:47:27,440
I'm a hard worker, that's what | mean.

542
00:47:27,760 --> 00:47:29,760
Excellent. Hair of the dog?

543
00:47:30,960 --> 00:47:33,360
Can you face it?
— Course | can.

544
00:47:47,400 --> 00:47:49,520
| think you and |
are gonna get along, Joan.

545
00:47:51,200 --> 00:47:52,360
It's just work.

546
00:47:53,440 --> 00:47:54,280
Yeah.

547
00:47:55,160 --> 00:47:56,520
And it's just one job.

548
00:47:57,120 --> 00:47:58,120
Yeah, | Know.

549
00:48:00,640 --> 00:48:03,080
If you rip me off, I'll fucking kill you.

550
00:48:04,480 --> 00:48:05,440
Snap.

551
00:48:14,480 --> 00:48:19,120
if you let them rule